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About the Author

Deborah Madison is a freelance writer and board member of the Foundation for Bio-Diversity and the Seed Savers Exchange, among others. As a freelance writer she has contributed to Cooking Light, Williams Sonoma's Taste, Vegetarian Times, Gourmet, Food and Wine, Bon Appetit, Garden Design, Fine Cooking, Organic Style, the LA Times, Orion, and others.

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Product details

Paperback: 224 pages

Publisher: Chelsea Green Publishing; New edition edition (April 4, 2007)

Language: English

ISBN-10: 1933392592

ISBN-13: 978-1933392592

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

190 customer reviews

Amazon Best Sellers Rank:

#83,740 in Books (See Top 100 in Books)

I write and teach self-reliant, sustainable living. I've preserved my garden produce for decades. Since I discovered this book 5 yrs ago, it has consistently been in my Top Ten books you should have. This book teaches how to preserve almost every food you can grow without canning or freezing. For years my favorite go-to book on food preservation has been Stocking Up: The Third Edition of America's Classic Preserving Guide But this book goes into topics not covered in most food-preservation books. The key to good self-reliance and sustainability is to have a wide range of options, in case one crop fails or another overwhelms your freezer or pantry capacity. This book gives you that variety and weaves it into a complete, sustainable Whole.The chapters on Root Cellaring and Drying are not as detailed as some might like, but there are dozens of books on those topics and anyone that has gardened or homesteaded for any time is very familiar with these techniques.Where the book really shines is in the chapters on the lesser-known (and ages old) techniques of brining, lacto-fermentation and preserving in solutions such as oil, vinegar and alcohol. I attended a class on brining and lacto-fermentation where we were given taste samples of the brined and fermented food. The taste, color and texture are stunning! After tasting brined green beans--bright, crisp and still tasting garden fresh after 4 years in a jar--I could never go back to colorless, tasteless, soggy home-canned green beans. Family and friends go nuts over my sauerkraut and mixed vegetables brined one jar at a time. (It was this class that led me to this book.) I love that I can use non-canning jars with this process. This saves me on my food budget, keeps more out of the landfill and I don't have to worry about getting valuable jars back when I give the food away.One reviewer worried about the lack of food safety in these methods. No need to worry. These are ages-old techniques, used for centuries before home canning was ever thought of. They do not create the anaerobic environment that botulism thrives in. If one uses good-sense--wash your hands and clean all work surfaces and start with clean, sterilized equipment and jars--these methods are every bit as safe as any other food preservation.This is one of very few books that get my complete, unreserved endorsement. Trust me, you WANT this in your home library. [...]

I thought this book had a lot of information that I have never seen in print before. It makes a very nice addition to my library. I am sure that many of the recipes have been passed down from generation to generation. I plan to try some of them. However, I have been through the UC Master Food Preserver training courses and I would suggest that anyone thinking of using the recipes in this book contact their local Cooperative Extension to ask for information about how to guarantee the safety of the food they are preserving.

First off, others have complained about how "unsafe" this book is in terms of using the methods contained therein. That is hogwash. This book states several times that while they are doing things that the USDA deems "unsafe", these are practices that have been used for centuries and if done correctly, with common sense and clean supplies will not harm you. It also says in these instances to USE YOUR BEST JUDGEMENT. If you can't do that then you should probably not be preserving anything in any way at home. That point being done with, this is a wonderful book for those of us wanting to find alternatives to the classic home canning methods of food preservation and is also just plain a pleasurable read! My only problem is that a few of the method descriptions are a bit vague, such as "top the jar off with a few blueberries from last season". What if I don't have any from last season? But on the whole those are few & far between. And considering these are methods sent in to the author from people who are volunteering to part with family secrets & old world methods, often writing them down for the very first time in submitting them, it's not really surprising. But with a little further research these questions can be answered. Once again, if you're not willing to do a little more work and research to do things the old way then stick with store bought or rely on the modern canning company books to hold your hand.

I found this book to be very enlightning and useful as well. I was using one method already but with some trepidation. the contributors gave me useful insights and helpful tips which gave me confidence to experiment. Each week I make several jars of lacto fermented veggies and they are absolutely delicious! I'm delighted with the results and I'm happy to be able to not only preserve my produce but actually add to the nutritional value, when I can. When harvest time arrives, I will be happy to employ a couple of other methods. I like this book!

I like the book and have read it through. There are some good recipes but mostly the vegetables and dishes are from a very French perspective. Living in the South I don't need a great deal of information on artichokes, chicory, endive, cardoons, angelica, and so on. With that said, I enjoyed the book and reading and it will be useful. However, it will not be my first go to book for preserving.Oh, and she does use canning techniques just not 'pressure' canning. So there are recipes for jams, preserves, pickles and the like that are canned. In fact one I did use somewhat after a few changes was the Apple with Raisin Jam. I had never thought of adding a vanilla bean to the pot luckily I have them on hand.As I said, a good book but not a first go to for storing up or stocking the pantries, I would say a second go to and well worth having. If you don't have any experience this might not be a good starting point.

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Preserving Food without Freezing or Canning: Traditional Techniques Using Salt, Oil, Sugar, Alcohol, Vinegar, Drying, Cold Storage, and Lactic Fermentation PDF

Preserving Food without Freezing or Canning: Traditional Techniques Using Salt, Oil, Sugar, Alcohol, Vinegar, Drying, Cold Storage, and Lactic Fermentation PDF

Preserving Food without Freezing or Canning: Traditional Techniques Using Salt, Oil, Sugar, Alcohol, Vinegar, Drying, Cold Storage, and Lactic Fermentation PDF

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• Sales Rank: #25763 in Audible
• Published on: 2015-10-07
• Format: Original recording
• Original language: English
• Running time: 159 minutes

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• Sales Rank: #662264 in Books
• Brand: Brand: Pearson Education Limited
• Published on: 2013-10-09
• Original language: English
• Number of items: 2
• Dimensions: 10.25" h x 7.50" w x 1.00" l, .0 pounds
• Binding: Paperback
• 643 pages

Features

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Ebook The Face: Cartography of the VoidBy Chris Abani

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As Abani so lovingly puts it, this extended essay contemplates “all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.” The Face is a gift to be read, re-read, shared, and treasured, from an author at the height of his artistic powers. Abani directs his gaze both inward and out toward the world around him, creating a self-portrait in which readers will also see their own faces reflected.

Abani’s essay is part of a groundbreaking new series from Restless Books called The Face, in which a diverse group of writers takes readers on a guided tour of that most intimate terrain: their own faces. Visit www.restlessbooks.com/the-face-series for more information.

Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, and has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun - Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic.

• Sales Rank: #478212 in eBooks
• Published on: 2015-04-02
• Released on: 2015-04-02
• Format: Kindle eBook

Review
“A fascinating meditation on identity that explores the novelist’s own mixed heritage and mixed feelings….A true citizen of the world….With great insight and compassion, Abani reveals that behind his—and every—face are unseen scars.”

—San Francisco Chronicle

“I devoured it a single sitting. It’s light and easy, and also heavy and thought-provoking. It’s not exactly a memoir, but it’s a moving and funny account of inhabiting what Esi Edugyan calls the ‘yes, but where are you really from?’ question.”

— The New Inquiry

“Chris Abani describes his face as ‘a mixture of two races, of two cultures, of two lineages’ (he was born in Nigeria to an Igbo father and English mother), writing with humor, anguish and acceptance about ancestry and family and ‘wearing’ his father's face.”

— Patricia Hagen, Minneapolis Star Tribune

“This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor.”

—The Bowed Bookshelf

“Chris Abani might be the most courageous writer working right now. There is no subject matter he finds daunting, no challenge he fears. Aside from that, he’s stunningly prolific and writes like an angel. If you want to get at the molten heart of contemporary fiction, Abani is the starting point.”

— Dave Eggers

“Chris Abani is easily one of most important voices in literature today.”

— Warscapes

“What do our faces say about us — and how much of what they say is fair? That’s one of the questions posed by Restless Books’s intriguing new series The Face, in which writers use their own countenances as launchpads into the imaginative stratosphere . . . in Chris Abani‘s Cartography of the Void, part of the series’s inaugural triptych (along with short works by Ruth Ozeki and Tash Aw), we’re not disappointed . . . Can we dismiss the significance of our faces when they bear so strongly the marks of who we were as much as who we are? It could seem like a pessimistic question. But Abani isn’t pessimistic. Seeing his father in himself is troubling but it also opens up a path to understanding. And so it is that he can hope: ‘That my face, and my father’s face, and his father’s face before him will blaze in an unending lineage of light and forgiveness.’”

— Charles Arrowsmith, House of SpeakEasy

“Abani is a force to be reckoned with, a world-class novelist and poet.”

— Russell Banks, author of Lost Memory of Skin

“Abani has the energy, ambition and compassion to create a novel that delineates and illuminates a complicated, dynamic, deeply fractured society.”

— Los Angeles Times

“Abani [is] a fluid, closely observant writer.”

— The Washington Post

“Abani is a fiction writer of mature and bounteous gifts.”

— The New York Times

“A master, a literary shaman.”

— Brad Kessler, author of Birds in Fall

“Abani writes in a fearless prose.”

— Time Out Chicago

About the Author
Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender, and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun: Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He is the recipient of the PEN USA Freedom-to-Write Award, the Prince Claus Award, a Lannan Literary Fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, the PEN Hemingway Book Prize, and a Guggenheim Award.

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Never bother with the material, it will be the same. Perhaps, you could get more advantageous benefits of the ways you read guide in soft documents types. You recognize, visualize that you will certainly bring guide almost everywhere. It's so heave. Why you don't take simple methods by establishing the soft data in your device? It is so simple, right? This is likewise one factor that makes many people favor to choose this publication also in the soft data as their analysis materials. So now are you curious about?

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

• Sales Rank: #6930981 in Books
• Published on: 2010-05-23
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .25" w x 7.01" l, .70 pounds
• Binding: Hardcover
• 54 pages

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Go Rin No Sho: A BookBy Musashi Miyamoto PDF

Go Rin No Sho: A BookBy Musashi Miyamoto PDF

Go Rin No Sho: A BookBy Musashi Miyamoto PDF

Go Rin No Sho: A BookBy Musashi Miyamoto PDF

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